Showing posts with label 30 Rock. Show all posts
Showing posts with label 30 Rock. Show all posts

Friday, May 14, 2010

Renewed and Boo’d: Fall 2010’s New Season of TV.

Love Lost? Too bad, it’s going to end on May 25 for good (for now). Love Modern Family, Chuck,networks Glee, Family Guy or How I Met your Mother? You’re in luck! From TVGuide.com, here’s a list of the shows officially being renewed for the Fall 2010 – Spring 2011 season:

30 Rock (NBC)
90210 (CW)
The Amazing Race
(CBS)
American Dad (Fox)
America's Next Top Model
(CW)
The Big Bang Theory
(CBS)
Bones (Fox)
Brothers & Sisters (ABC)
Castle (ABC)
Chuck (NBC)
The Cleveland Show (Fox)
Community (NBC)
Cougar Town (ABC)
Desperate Housewives (ABC)
Family Guy (Fox)
Friday Night Lights
(NBC)
Fringe (Fox)
Glee (Fox)
Gossip Girl
(CW)
The Good Wife
(CBS)
Grey's Anatomy (ABC)
How I Met Your Mother (CBS)
Law & Order: SVU (NBC)
The Middle (ABC)
Modern Family (ABC)
NCIS: Los Angeles (CBS)
The Office (NBC)
Parks and Recreation (NBC)
Private Practice (ABC)
The Simpsons (Fox)
Smallville (CW)
Supernatural (CW)
Survivor
(CBS)
Two and a Half Men
(CBS)
V (ABC)
The Vampire Diaries (CW)

Date Night Review: Perfect for its Title.

imageSteve Carrell. Tina Fey.

That’s all you need to know about “Date Night,” in reality. The whole movie and its plot are just excuses to get these two comedy stars together and steal your hard-earned money in this terrible, human-destroying recession.
Alright, let’s not be dramatic. “Date Night” is the latest Hollywood machine-made romantic comedy starring 2 of TV’s biggest stars from 2 of TV’s biggest shows owned by TV’s biggest company (NBC). So what’s there to say?
Date Night, in all actuality, is much better than one might assume. Of course, seeing the names “Carrell” and “Fey” headlining a poster would catch your immediate attention and may persuade you into seeing it just for namesake; however, the movie is actually pretty well-written and witty, with some interesting innovation and well-handled action set pieces to break up the otherwise monotonous tyranny that is the “Romantic Comedy.”

The story revolves around a married couple, Phil and Claire Foster (Carrell and Fey, respectively). Both are extremely aware that their marriage has grown stale and boring, but neither wants to admit it. With some not-so-uplifting commentary from their friends who seem to have gone down the same route before, things eventually lead up to Phil wanting to take Claire out on an expensive but “different” date for once. They head to an upscale, trendy new seafood restaurant named “Claw,” where they are greeted with typical teenage hipster rudeness. Without a reservation, they patiently sit at the bar, hoping a table opens up, when A CALL TO ADVENTURE arises and Phil decides to take the reservation of someone else. Thus, this spins in motion the gears of fate, and Phil and Claire are mistakenly identified as the Tripplehorns (a recurring play on Jeanne Tripplehorn) by a couple of mobsters (Common and Jimmi Simpson) who are entangled in a big conspiracy to… well, watch the film to figure out the rest. The main plot is all standard “conspiracy” and “backstabbing” fare, most of which is fairly expectable. It really boils down to the more subtle nuances in the story, that is, the dialogue that really give this film life.

Fey and Carrell have an almost impeccable chemistry between them, and although they may not be the most believable couple, it's their wit and improvisation in various points in the film that give them such high likability. In fact, if it wasn’t for these two stars, Date Night would ultimately suck. In addition, the fact that they’re the only good thing about the movie won’t bother you until after you already saw it, where you’ll be questioning what the movie was even about. Think of “Date Night” as a television advertisement, wherein the product is the plot of the film and the gimmick is Fey and Carrell. You’re not going to remember what the hell was just advertised or why you should buy it, but you’ll remember to YouTube it later to show how funny it is to friends.

I’ve read many reviews on Date Night, and most seem to point out the awkward pacing between softer, dialogue-propelled moments and the adrenaline-rushing action sequences. Personally, I felt these blended very well, moving from one scene to the next without feeling like there was a humongous cinematic stake separating the various scenes. The best part, by far, involves a chase scene between the mobsters, Phil, a taxi and the police. Not only was this whole extravaganza of a scene exciting, but it was hilarious and actually memorable! Alas, a scene from a “Romantic Comedy” (of sorts) that was actually memorable that didn’t involve nudity!

But again, it is very difficult to truly critique a Romantic Comedy for more than its really worth. “Date Night” scores high points for its two fantastic leads, some memorable moments, fun cameos from Ray Liotta, Mark Wahlberg, James Franco, and Meg Griffin (Mila Kunis), and its ageless appeal. Strip all of that away, though, and “Date Night” is just another movie that you’ll forget even exists.

starstarstarstarstarstarstar/10

-Kyle Shelton